Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational system of work, the model of
industrial and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular culture a centralized
programme. One and a multitude of receivers, and with a
communication through uncommunication. Laibach's approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, force remains as the
ultima ratio of integration. The force must adopt the form of
systematic, physical and terror, organized in accordance with
social relations. Terror is a function of productional power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
through stage performances of ritualized demonstration of power,
and through other manipulative means of an individual, Laibach a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in order to discipline and raise a
of total adherence bond of a certain, revolted and alienated
audience, which results in a of collective [athasia?], which is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and automatic associations, and as such it as the means of
working stimulation. By darkening the consumer's mind, it drives him
a state of humble contrition and obedience, self-sacrifice, by
every trait of individuality, it melts the individuals into a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure uncovers the neurosis.
Laibach the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
their form, but the material of Laibach, manipulation of self, an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as the most appropriate means of media manipulation.
As an archetypal structural of the collective unconscious in a
worker mass, it stimulates automatic mechanism, and
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]