Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of time universality. Its activity is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity the mass. Laibach functions as a
creative allusion of strict institutionality, with
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a multitude of receivers, and a
through uncommunication. Laibach's musical approach is a
move to the area of politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the in society is becoming strained, only force remains as the
ultima ratio of social integration. The force adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is obtaining a of productional power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence between and
fascination, rudimentarily affects the consciousness of people,
through stage of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in to effectively discipline and raise a
feeling of total adherence bond of a certain, revolted and
audience, results in a state of collective [athasia?], which is the
principle of social organisation. In this sense, the of Laibach,
sound constructions, and of rock concerts is to collective
emotions and automatic associations, and as such it as the means of
working stimulation. By darkening the consumer's mind, it drives him
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure the social neurosis.
Laibach unites the biters and antagonistics into an of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
form, but the material of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most form of the militantly organised rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an structural basis of the collective unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]