Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our political. Laibach is a
recognition of time universality. Its organisational is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or culture with a centralized
programme. One and a multitude of receivers, and with a
communication through uncommunication. Laibach's approach is a
move to the area of politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in is becoming strained, only force remains as the
ratio of social integration. The force must adopt the form of
systematic, physical and psychic terror, organized in with
social relations. Terror is obtaining a function of power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the productional apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, rudimentarily affects the consciousness of people,
through stage of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical as social
organisational principle, in order to discipline and raise a
of total adherence bond of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and automatic associations, and as such it serves as the of
working stimulation. By the consumer's mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach unites the biters and antagonistics into an of static,
totalitarism cry. Our basic inspiration, which are not ideals to
their form, but the of Laibach, manipulation of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the organised rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an archetypal basis of the collective unconscious in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]