Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
production and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense and a constant systematic propagating, ideological
offensive. Any social activity affects the mass. Laibach as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular culture a centralized
programme. One and a multitude of receivers, and with a
communication uncommunication. Laibach's musical approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, only force as the
ultima ratio of social integration. The force adopt the form of
systematic, physical and psychic terror, organized in with
social relations. Terror is a function of productional power,
which extorts and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic terror a
constitutional of authority. Through the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, rudimentarily affects the consciousness of people,
through stage performances of demonstration of political power,
and through other manipulative means of an individual, Laibach a
sound force, in a form of systematic, psycho-physical as social
organisational principle, in to effectively discipline and raise a
feeling of total bond of a certain, revolted and alienated
audience, which results in a of collective [athasia?], which is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
and automatic associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it drives him
a state of contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure the social neurosis.
Laibach unites the biters and antagonistics an expression of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
their form, but the material of Laibach, of self, remains an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as the most appropriate means of media manipulation.
As an archetypal basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]